The last few days I’ve uploaded the w.i.p.s of the pin up I was working on, today I’ll go a little more into how I did the line work for her. To be clear this is all, head to toe, created using Photoshop CS6. First off, brushes! I used only two for this piece. The sketching and hard lines are all created using just the basic preset Hard Round Pressure Size brush with the opacity set to 100% for the final hard lines and somewhere around 30% for sketching. This isn’t a perfect brush but it has worked very nicely for me so far. It feels closest to a pen to me which is always my preference.
I won’t go into much detail on the second brush since the interior coloring, but it is a pretty fun custom brush I created for myself using clouds. It has a nice soft quality but leaves some of that fun texture.
Now that that’s explained, next up comes the color picking. For my inking I tend to lean towards a soft ruddy black, but if left that way it gives the piece a flat and stark look. That can be a really nice effect, but I wanted to keep this one looking soft. So below are a couple of screen shots showing how I chose the colors, taking from the base skin and hair colors and bringing them down to a much darker color for the lines. Lighter for the skin than the hair to keep it a bit softer.
Also… Some color tests for her hair. The blonde was a “oooh hell no.”
Yesterday I said I would go more in depth into the colors, especially of the lines, but I realized after I posted that that I couldn’t really show how or why I colored the lines the way I did until I showed ALL of the color work… right. So here she is, all done except for a few little tweaks I still need to make.
So tomorrow I’ll actually explain a bit more about the line coloring.
So I’ve finished up the line art from yesterday’s sketch, and instead of just showing the final look all together I want to show the way I use layers on line art. I have the line art on four different layers which you can see when I hide them in the screenshots:
Face and extra swimsuit Lines –
I do this because of the coloring stage later. It’s not completely necessary, but I’ve found that it helps me be a lot more accurate and efficient when I want to adjust the color of the lines in the coloring stage. Black, or nearly black lines can be nice and crisp, but for this image I wanted a much softer effect so I’ve used darker versions of the colors of each area to ink with (ie: her hair color will be a maroony-red so I used a much dark version of that for the lines of the hair). I’ve actually already adjusted the coloration of the lines above but it will be hard to see until there is full color along with it (which I’ll be posting tomorrow).
I might go more in depth into this tomorrow now that I think about it…
I’ve been ignoring my poor blog lately so it’s time for some more updating. I have a new project for the new year!
There is an enormous aviation industry here in Portland both commercial and private, and since I’ve been here I’ve been approached by several private owners to do some nose or tail art for them. One of my biggest inspirations is old school cheesecake Pin Up art, so this is feeling very “full circle” for me! There are a lot of details still to work through, but I’ve already started beefing up my portfolio a bit, so here’s one of the first girls in progress.